Adobe 5.5 Design Standard Bedienungsanleitung PDF herunterladen (Seite 78)

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Adobe Creative Suite 5 Printing Guide 76

•Shape Builder Tool: Drag across multiple objects to combine them;

similar to Pathnder’s “Unite” feature, except that the color of the

combined object is based on the rst object clicked.

•Align to Pixel Grid: To ensure that vertical and horizontal segments of

vector paths are rendered crisply on the Web (rather than being

soened by anti-aliasing), this new option adjusts these straight-line

segments, aligning them to the pixel grid.

•Path Joining Enhancements: Rather than trying to select the end-

points of paths you wish to join, you can now just select the object

you wish to close (or open objects you wish to join), and choose

Object > Path > Join. Illustrator will join the two closest endpoints.

•“Select Behind” Keyboard Shortcut: Command-click (PC: Ctrl-click)

to drill down through stacking order (as you can in InDesign).

•Bristle Brushes: is new brush type creates watercolor-like strokes

that use transparent components to accomplish so color appear-

ances. Heavy use of Bristle brushes can create complex artwork that

may present some challenges in imaging. If you are using a workow

based on the Adobe PDF Print Engine, you should have lile or no

diculty processing an Illustrator le containing a reasonable amount

of Bristle Brush content. If you are using an older PostScript-based

workow, however, you may encounter long processing times, espe-

cially if trapping is required. You may have to simplify some illustra-

tions, or rasterize content by selecting the Bristle Brush strokes and

choosing Object > Rasterize. Of course, if the le contains content that

must render as a spot color, this will convert the content to the current

document color mode (CMYK or RGB, depending on how the docu-

ment is set up, and this may be undesirable. Consider advising your

customers to be cautious when using this new feature; encourage

them to submit test les so that you can determine the best method

for handling the content.

Artwork Created With Bristle Brushes

Bristle brushes can easily create naturalistic artwork, resembling watercolor art (le). Like

other brushes, Bristle Brush eects are appearances applied to strokes (shown center, in

Outline mode). If Bristle Brush appearances are expanded, they may create large numbers of

complex objects with blending mode and transparency aributes (far right, in Outline

mode). While there is no advantage to expanding such artwork, it gives you an idea of the

complexity of the outgoing print stream.

Bristle Brush Alert

When you save an Illustrator le containing more than 30 Bristle Brush strokes (no maer

how simple they might be), you will receive an alert that implies that you may encounter

some issues if you aempt to image the le in an older workow.

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Although these features are not new to Illustrator CS5, they are worth

mentioning since you are often required to edit or correct customer

artwork.

•Separations Preview: View individual inks in color, as well as over-

print eects. Selectively show and hide individual spot and process

colors to preview color separations on screen, so you can quickly and

easily identify potential printing problems early in a job.

•Bleed Support: You can dene a bleed zone of any width for a docu-

ment, as in InDesign. Bleed values can be dierent on each side, and

are applied to all artboards in the document. You cannot control bleed

aributes on a per-artboard basis.

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Adobe 5.5 Design Standard Bedienungsanleitung Seite 78

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