Adobe Premiere Pro CS4 Bedienungsanleitung

CopyrightUsing ADOBE® PREMIERE® PRO CS4

4USING ADOBE PREMIERE PRO CS4ResourcesLast updated 11/6/2011New featuresPremiere Pro CS4, in combination with AdobeOnLocation CS4, and Adobe Encore CS

94USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Using compressed audio formatsMusic stored in fo

95USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• Premiere Pro does conform audio in uncompresse

96USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Importing a project into another project is the

97USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011“About Dynamic Link (Production Premium or Maste

98USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Final Cut Pro clip dataClip data in the Descript

99USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Conversion of Final Cut Pro video effectsConvers

100USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Conversion of Final Cut Pro audio transitionsFi

101Last updated 11/6/2011Chapter 6: Managing assetsAfter you import assets into a project, you can use Premiere Pro to organize them, view their detai

102USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011• To sort items in List view, click the column heading by which you want to sort t

103USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Text columns can contain any text you enter. Boolean columns provide the option

5USING ADOBE PREMIERE PRO CS4ResourcesLast updated 11/6/2011Thousands of visual and audio effects via Adobe Resource Central Create or customize exis

104USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/20112 Press the Play button or drag the play slider on the thumbnail viewer in the u

105USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Work with binsThese are the default behaviors of bins in the Project panel. You ca

106USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/20112 In the Bins area, select options from the menus for Double-Click, + Ctrl (Window

107USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Jump to an asset in the Project panel1 Select the Project panel.2 Type the first l

108USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Remove an item from the Project panel❖ Select the item and press the Delete key.Th

109USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011You can also use the Properties feature to alert you to the presence of any droppe

110USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Managing metadataAbout the Metadata panel and XMPTo streamline your workflow and o

111USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011If you never use subclips and never import multiple instances of master clips, the

112USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Using clip metadata and file metadataXMP file metadata is information about a sour

113USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/2011Metadata panelA. Before search, all properties appear B. After search, only prop

6Last updated 11/6/2011Chapter 2: User interfaceThe similarity in the user interface design among all Adobe video and audio products allows users to m

114USING ADOBE PREMIERE PRO CS4Managing assetsLast updated 11/6/20113 In the list, click Add Property to the right of the schema name. 4 Enter a prope

115Last updated 11/6/2011Chapter 7: Monitoring assetsUsing the monitors in Premiere Pro, you can not only view the composite video of your clips and s

116USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011For sequences based on editing modes other than RED Cinema, select one of the fo

117USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011Choosing a clip to view from the Source menu2 To clear a clip from the Source Mo

118USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011and Out points. You can adjust the current time, markers, and the In and Out poi

119USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011Choose a display modeYou can display normal video, the video’s alpha channel, or

120USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011Most playback controls have keyboard equivalents. When you want to use keyboard

121USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011• Drag the jog disk left or right, past the edge of the controller if necessary.

122USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011Match a frame with its sourceWhile editing in a Timeline panel, you can find the

123USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/20113 Choose any of the following from either the Reference Monitor, Program Monitor

7USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Dock, group, or float panelsYou can dock panels together, move them into or out of gr

124USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011The YC Waveform displays luminance information as a green waveform. Bright objec

125USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011YCbCr Parade scopeA. Values B. Y (luminance) waveform C. Cb waveform D. Cr wa

126USING ADOBE PREMIERE PRO CS4Monitoring assetsLast updated 11/6/2011Using a Reference Monitor to aid in setting video levelsYou can specify the Refe

127Last updated 11/6/2011Chapter 8: Editing sequences and clipsIn Premiere Pro, you specify the settings for each sequence, trim your clips, and assem

128USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011About sequencesYou assemble and rearrange sequences in one or more Tim

129USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Viewing area bar Corresponds to the visible part of the sequence in a

130USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011• To zoom in, drag the zoom slider to the right, or click the Zoom In

131USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Rename a track1 Right-click (Windows) or Ctrl-click (Mac OS) the track

132USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Note: To exclude all video or all audio tracks, Shift-click to hide th

133USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20113 Click OK.Set the display style of the audio track1 Expand the track

8USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/20112 Do one of the following:•To move an individual panel, drag the gripper area in the

134USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Some assets might have been generated with codecs not supported native

135USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011When creating a new sequence, you can either select from among the sta

136USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011DV video and audio use standardized settings that are specified automa

137USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011• 24 fps Timecode Reports time in hours, minutes, seconds, and frames

138USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011(Windows only) The Uncompressed UYVY 422 8bit codec and the V210 10-bi

139USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Change sequence settingsYou can change some of the settings for an exi

140USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011To edit DVCPROHD 720p footage shot at 25fps (e.g. 25pN native mode foo

141USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20116 In the Audio section choose the desired settings for Sample Rate and

142USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011If you edit 24p footage in a sequence based on one of the DV-24p prese

143USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011More Help topics “Disable 24p pulldown to simulate film-video transfer

9USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Resize panel groupsWhen you position the pointer over dividers between panel groups,

144USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011For example, a clip that you log for capture may have an In point of 0

145USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Eddie Lotter provides a collection of tutorials and articles about mul

146USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Display the Multi-Camera Monitor❖ Select the multi-camera target seque

147USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Create a multi-camera target sequence1 Choose File > New > Seque

148USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011More Help topics “About multi-camera editing” on page 144“Record audi

149USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Like the Multi-Camera Monitor, the Source Monitor displays footage pre

150USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011• Actions involving a nested sequence may require additional processin

151USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Creating clipsIn Premiere Pro, you create clips by importing files, du

152USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Subclips reference the master clip’s media file. If you delete a maste

153USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20112 Choose Clip > Edit Subclip.3 Edit the Subclip Start and End timec

10USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Drag horizontal scroll bar to see all panels in narrow groupNavigate the panelsYou c

154USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Creating special clips (synthetics)Create a counting leader (Windows o

155USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20112 If necessary, in the New Black Video dialog box, set Width, Height,

156USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Adding clips to sequencesAdding clips to a sequenceYou can add clips t

157USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Open a sequence❖ In a Project panel, double-click a sequence.The seque

158USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011• You can map the tracks of a clip in the Source Monitor to one or mor

159USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011If you don’t want to set In and Out points, you can drag the clip dire

160USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20112 In the Source Monitor, do one of the following:• To drag all audio a

161USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Overlay a clip into a sequence1 Double-click a clip in a Project panel

162USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Make a four-point edit1 In a Project panel, double-click a clip to ope

163USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011from left to right, top to bottom in Icon view. If you choose Selectio

11USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Reset a workspaceReset the current workspace to return to its original, saved layout

164USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Using one of the following keyboard modifiers, drag a clip from the Pr

165USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20112 Choose Marker > Set Sequence Marker > In And Out Around Select

166USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Trim in the Source MonitorThe Source Monitor panel holds versatile too

167USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011This also works with sequence In and Out points using the Program Moni

168USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20113 To zoom in vertically, do one of the following: • To zoom in on a si

169USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Trim with the current-time indicator (extend edit)You can set the In P

170USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Rolling editA rolling edit trims an adjacent Out point and In point si

171USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Perform a rolling edit using the Trim Monitor1 In the Trim Monitor, cl

172USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20114 Do any of the following:• Position the pointer in the left or right

173USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011In this slip edit, a clip is dragged left, moving its source In and Ou

12USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011ToolboxA. Selection tool B. Ripple Edit tool C. Rate Stretch tool D. Slip tool E

174USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Work in the Trim MonitorThe Trim Monitor displays clip In and Out poin

175USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011.You can see whether any clip in the Project panel has been used in a

176USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011If you import files with a speech transcript into After Effects, each

177USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Edit a text transcriptSelecting Merge With Previous Word from the Spee

178USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Selecting clips with the Track Select tool• To select clips in a track

179USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Snap a clip to a clip edge, marker, or current-time indicator1 Make su

180USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011• To move the audio portion of a clip to Audio 1 and move the video po

181USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Split or cut one or more clips with the Razor toolYou can use the Razo

182USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20112 In the Timeline, click the headers of the tracks from which you want

183USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011More Help topics “Copy and paste clip effects” on page 267Delete all

13USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Hand Tool Select this tool to move the viewing area of a Timeline to the right or l

184USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Define the work area for rendering❖ Do any of the following:• Drag the

185USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Render Entire Work Area Renders the sections of the video tracks lyin

186USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Delete preview files1 With a Timeline panel active, do one of the foll

187USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Previewing on a television monitor via video cardSome video cards and

188USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Correcting mistakesCorrect mistakesIn case you change your mind or mak

189USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Work with the History panel❖ Do any of the following:• To select a sta

190USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Marker icons in a Timeline panel A. Sequence marker B. Clip marker C

191USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/20113 Choose Marker > Set Clip Marker or Marker > Set Sequence Marke

192USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Note: You can’t remove a sequence marker by dragging it away from the

193USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011Sharing markers with After Effects, Encore, and FlashYou can share mar

Last updated 11/6/2011© 2009 Adobe Systems Incorporated and its licensors. All rights reserved.Using Adobe® Premiere® Pro CS4 for Windows® and Mac OST

14USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011The Info panelA. Name of selected clip B. Data for selected clip C. Tape name D.

194USING ADOBE PREMIERE PRO CS4Editing sequences and clipsLast updated 11/6/2011To quickly place a marker, you can right-click (Windows) or Control-cl

195Last updated 11/6/2011Chapter 9: Editing AudioWorking with audioAbout audioIn Premiere Pro, you can edit audio, add effects to it, and mix as many

196USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011track’s format, the number of audio tracks in a sequence, and the number of channels

197USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Mixing audio tracks and clipsMixing is blending and adjusting the audio tracks in a

198USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Audio Mixer overviewAudio MixerA. Effect and Send area B. Controls area C. Playbac

199USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Audio mixer playback controlsA. Go To In Point B. Go To Out Point C. Play/Stop Tog

200USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: You can also silence a track using the Mute Track button.Open the Audio Master

201USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011View time in audio time units❖ In the Audio Mixer, Program Monitor, Source Monitor,

202USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011By default, clip audio channels are mapped to the master track when they are capture

203USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011The following icons indicate channel mapping for stereo mixes: Left stereo channel

15USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011“Scroll a sequence during preview” on page 186“Set the default keyframe display of

204USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: If you leave P2 clips at their default mono channel mapping, use them in a seq

205USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Extract audio from clipsYou can extract audio from clips and generate new audio mast

206USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Break all stereo tracks into mono tracksPremiere Pro can automatically break out ind

207USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Indicators appear when linked clips are no longer synchronized.You can display and t

208USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011• Shift-click to select more than one audio clip on separate tracks in a Timeline pa

209USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011More Help topics “Trim with Trim-in and Trim-out tools” on page 168Switch a time ru

210USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: You can link video only to audio—you cannot link a video clip to another video

211USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Create a split edit1 If necessary, click the triangle to the left of each track name

212USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011The quality of digitized audio and the size of the audio file depend on the sample r

213USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Audio Mixer recording controlsA. Record Enable button for track B. Record button fo

16USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011More Help topics “Map sequence audio channels to audio device hardware channels” on

214USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Record an analog sourceYou can record audio from an analog source device, such as a

215USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: The Track Input Channel menu appears after you click the Enable Track For Reco

216USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Specify whether to play audio while scrubbingBy default Premiere Pro plays the audio

217USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20113 Select one of the following, set its value, and then click OK:Set Gain To The def

218USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011“Volume effect” on page 339“Channel Volume effect” on page 331Adjust track volume

219USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20113 Do any of the following:• Enter a value for the level. A negative value decreases

220USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20114 In a Timeline panel, for each audio track, click the Show Keyframes button . Then

221USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Crossfade between audio clips1 If necessary, click the triangle to the left of each

222USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Applying effects to audioApplying audio effects to clipsIn the Effects panel, you ca

223USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011More Help topics “Working with VST effects” on page 224“About recording audio chang

17USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Label Defaults preferencesIn the Label Defaults pane of the Preferences dialog box,

224USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Designate a track effect as pre-fader or post-fader❖ In the Effects And Sends panel

225USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: The option controls for VST plug-in effects are also available at the bottom o

226USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: In the Audio Mixer, you can set the current time at the top left corner of the

227USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011set to Read automation, the option returns to its former value (before the current a

228USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Panning is the moving of audio from one channel to another. You can use panning to p

229USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Panning and balancing controlsA. Stereo pan/balance knob B. 5.1 surround pan/balanc

230USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Note: One Direct Output Assignment button appears in each track for every channel

231USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Advanced mixingWork with submixesA submix is a track that combines audio signals rou

232USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Route tracks with sendsEach track contains five sends, located in the Effects And Se

233USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20113 (Optional) Choose the send property you want to edit from the Selected Parameter m

18USING ADOBE PREMIERE PRO CS4User interfaceLast updated 11/6/2011Trim preferencesIn the Trim pane of the Preferences dialog box you can specify the n

234USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20112 Choose a 5.1 Mixdown Type from the menu, and click OK.Note: To preserve the integr

235USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/20112 Select Edit > Edit In Adobe Soundbooth, and choose one of the following:Edit So

236USING ADOBE PREMIERE PRO CS4Editing AudioLast updated 11/6/2011Edit audio in Adobe Audition1 In a Project panel or a Timeline panel, select a clip

237Last updated 11/6/2011Chapter 10: TitlingThe Titler is a versatile tool enabling you to create, not just titles and credits, but animated composite

238USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Create new titlesCreate a new title from scratch, or use a copy of an existing title as a

239USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Note: Similarly, you can copy text from other applications into Premiere Pro. For more inf

240USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011You can not drag a template from the Resource Central panel until Premiere Pro has downloa

241USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011You can also import title files from another Premiere Pro project as templates. If you sha

242USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Creating popular types of titlesPlace a bar behind text in a titleYou can place a bar of a

243USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Type text without boundaries1 Open the Title Tools panel.• To type horizontal text, click

19Last updated 11/6/2011Chapter 3: Workflows and system setupThe steps you take in editing video, from import or capture through final output, make up

244USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Edit and select text❖ Using the Selection tool, double-click the text at the point you wan

245USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Specify text propertiesWhen you select any object in a title, its properties are listed in

246USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011For information about using word wrap in titles, see “Enter text in titles” on page 242 M

247USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Set and adjust a tab stop1 Select a text box.2 Choose Title > Tab Stops.3 Align the “0”

248USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011• Drag diagonally across the corner points to flip the shape diagonally as you draw. • Dra

249USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Corner point direction lines maintain the corner by working independently of one another.

250USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Add an object anchor point to a path1 Select the path.2 Select Add Anchor Point Tool .• T

251USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Cap Type Specifies the type of cap placed at the end of the paths. The Butt option caps p

252USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Working with text and objects in titlesChange the stacking order of objects in titlesAn ob

253USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/20112 In the Title Actions panel, click the button for the type of alignment you want.Distribu

20USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Quickstart screen3. Capture and import video and audioUsing the Captur

254USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011• To scale and constrain the aspect ratio, Shift-drag any object’s corner handles. • To sc

255USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011More Help topics “Work with styles” on page 259Set a fill for text and objectsAn object’s

256USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Eliminate and Ghost work best with objects that have shadows and strokes. Add a sheenAdd a

257USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Alignment X Offset, Alignment Y Offset Specifies the horizontal and vertical offsets (in

258USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Change the listing order of strokes1 Select an object containing multiple strokes.2 In the

259USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Working with stylesWork with stylesOnce you’ve applied a combination of color properties a

260USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Apply a style to an object1 Select the object to which you want to apply the style.2 In th

261USING ADOBE PREMIERE PRO CS4TitlingLast updated 11/6/2011Creating rolling and crawling titlesCreate titles that roll or crawlThough static titles,

262Last updated 11/6/2011Chapter 11: Effects and transitionsYou can correct, improve, and otherwise modify your assets with any of the dozens of effec

263USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Time Remapping Lets you slow down, speed up, or reverse playback, or free

21USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011You can also import a variety of digital media, including video, audio,

264USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Using effects from other productsIn addition to the dozens of effects incl

265USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011To enable high bit-depth rendering for these effects, select the Maximum B

266USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Effects panelA. Effects bins B. Custom bin C. Audio effect D. Audio tra

267USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Apply effects to clipsYou can apply one or more Standard effects to a clip

268USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011You can copy and paste individual effects in the Effect Controls panel. Yo

269USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011• Right-click a clip in a Timeline panel, and select Remove Effects.3 in t

270USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Effect Controls panelA. Current time B. Zoom controls C. Play Only The A

271USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011View keyframes for an effect property in the Timeline❖ Do any of the follo

272USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Create markers in the Effect Controls panelIn the Effect Controls panel, y

273USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Blending mode galleryunderlying layersource layerNormal Dissolve DarkenMul

22USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Refine the sequence by manipulating clips in a Timeline panel, with eith

274USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Blending mode descriptionsIn the following descriptions, these terms are u

275USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Color Dodge The result color is a lightening of the source color to refle

276USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Luminosity Result color has hue and saturation of the underlying color, a

277USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Anchor To Out Point Retains the original distance from the clip Out point

278USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Note: If you have placed the same item in several different custom bins, a

279USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Hide a face with the “cops” effectYou can use the Track Matte Key effect t

280USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011MotionAdjust position, scale, and rotationUse the Motion effect to positio

281USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20112 Do one of the following: • (Lighting Effects only) Apply the Lighting Ef

282USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Animate motion in the Program MonitorYou can create animations, insets, an

283USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Animating a clip’s position in the Program Monitor1 Select a clip in a Tim

23USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Effects panel in filtered view, Effect Controls panel, and Program Monit

284USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20116 Move the current-time indicator in either the Timeline or the Effect Con

285USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20116 In the Program Monitor, drag the clip to the location where you want the

286USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20113 Select the Effect Controls tab, and, if necessary, click the triangle ne

287USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Changing clip duration, speed, or interlacingView clip properties in a too

288USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011The terms progressive and noninterlaced are thus closely related and are o

289USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011specified for the project in the Fields setting in the New Sequence dialog

290USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Changing clip speed omits or repeats the source frames during playback, th

291USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Change clip speed and duration with Time RemappingYou can change the speed

292USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011You create variable speed changes by applying speed keyframes. You can app

293USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Note: It is best to apply time remapping controls to a clip in its own vid

iiiLast updated 11/6/2011ContentsChapter 1: ResourcesInstallation, activation, and registration . . . . . . . . . . . . . . . . . . . . . . . . . .

24USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Export Settings set for Clip Notes export9. ExportDeliver your edited

294USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Both the speed and duration of the segment change. Speeding up a segment o

295USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20112 Ctrl-click (Windows) or Command-click (Mac OS) on the rubber band to cre

296USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Dragging a curve control handle to ease in a speed changeRemove the Time R

297USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20112 Ctrl-click (Windows) or Command-click (Mac OS) on the rubber band to cre

298USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20112 To freeze a frame other than the In or Out point, open the clip in the S

299USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Correcting exposure: Overexposed image with the waveform in the upper limi

300USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011YCbCr Parade Displays waveforms representing levels of the luminance and

301USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20118 Do any of the following:• To adjust color balance and saturation using c

302USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011• To color balance by neutralizing a black area in the image, select the B

303USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011When making adjustments with the color wheel and Saturation control, it’s

25USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011More Help topics www.adobe.com/go/vid0230“Importing clips from OnLocatio

304USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Adjust color balance and saturationAlthough the following procedure uses t

305USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Adjusting the Balance Gain to fine-tune the Balance Magnitude setting.Note

306USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20115 (Optional) Click the triangle to expand the Secondary Color Correction c

307USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20114 In the Effect Controls panel, click the triangle to expand the Fast Colo

308USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011White Level eyedropper Maps the sampled tone to the setting of the White

309USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Adobe Color PickerA. Selected color B. Color field C. Color slider D. A

310USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Note: As you adjust the color using the color slider and color spectrum, t

311USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Choosing Tonal Range from Output menu to display shadow, midtone, and high

312USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20116 (Optional) Choose Mask from the Output menu to view the areas selected f

313USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Special color and luminance adjustmentsMatch the color between two scenesT

26USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Send to Encore or to an MPEG-2 file.The File > Adobe Dynamic Link>

314USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Replace a colorIf you need more control than the Color Replace effect offe

315USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Mix color channels in a clip1 In the Effects panel, click the triangle to

316USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Adjust edges, blurs and brightness using Convolution presetsYou can contro

317USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Lighting Effects: Original image (left), Spotlight applied to image (cente

318USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Focus Adjusts the size of the Spotlight’s brightest area.Important: The L

319USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Transition overviewAbout transitionsA transition moves a scene from one sh

320USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20112. Change transition options.Click the transition in a Timeline panel to

321USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011More Help topics “About applying transitions” on page 322Single- and doub

322USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Applying transitionsFor a video tutorial that shows how to apply and adjus

323USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011To place a transition at the end of a clip that is not adjacent to another

27USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011More Help topics “Create a DVD, Blu-ray disc, or SWF file in Encore” on

324USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Apply default transitions between selected clipsYou can apply the default

325USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Transition in Effect Controls panelA. Play The Transition button B. Trans

326USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Dragging the transition in a Timeline panel to reposition itAlign a transi

327USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/20113 In the Effect Controls time ruler, position the pointer over the transit

328USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Default center (left) and repositioned center (right)Change transition set

329USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011To preview the transition, drag the current-time indicator through the tra

330USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original image Bevel Alpha Bevel Edges Brightness & ContrastColor Bala

331USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Audio effectsAbout audio effects in Premiere ProPremiere Pro includes VST

332USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Chorus effectThe Chorus effect simulates several voices or instruments pla

333USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011In the Effect Controls panel, Custom Setup for this effect shows Input and

28USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011• Launch Adobe Bridge from within Premiere Pro, use Adobe Bridge to orga

334USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011value, the DeHummer filters the 60 Hz frequency along with three harmonic

335USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011• Ratio Sets the ratio by which compression is applied, up to 8:1. For ex

336USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Output Specifies the amount of gain to compensate for increases or reduct

337USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Use the graphical controls in the Custom Setup view, or adjust values in t

338USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Q Specifies the range of frequencies to be affected. A low setting create

339USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Hi Damp Specifies the amount of dampening of high frequencies (in decibel

340USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Constant Power transitionThe Constant Power crossfade creates a smooth, gr

341USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Convolution Kernel effectThe Convolution Kernel effect changes the brightn

342USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Lighting Effects effectThe Lighting Effects effect applies lighting effect

343USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Shadow Radius and Highlight Radius The radius (in pixels) of the area aro

29USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011To export a movie with the information to use the Edit Original command,

344USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Compound Blur effectThe Compound Blur effect blurs pixels in the effect cl

345USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original (left), and with effect applied (right)Gaussian Blur effect(32-bi

346USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Channel effectsArithmetic effectThe Arithmetic effect performs various sim

347USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Calculations effectThe Calculations effect combines the channels of one cl

348USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Blend With Original The effect’s transparency. The result of the effect i

349USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Stretch Matte To Fit Scales the selected clip to match the size of the cu

350USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011• Reduce Saturation Moves the pixel’s color toward a gray of similar brig

351USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Change Which channels are affected.Change By How to change colors. Setti

352USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Color Balance (HLS) effectThe Color Balance (HLS) effect alters an image’s

353USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Balance Angle Controls the selection of desired hue value.Saturation Adj

30USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Exchanging moviesYou can also exchange video files, such as QuickTime mo

354USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original image (left), and with effect applied (right)Amount To Decolor H

355USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Pedestal Adjusts an image by adding a fixed offset to the image’s pixel v

356USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Center Defines the central color in the range that you’re specifying. Sel

357USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Pedestal Adjusts an image by adding a fixed offset to the image’s pixel v

358USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Layout Determines whether the Split View images are side by side (Horizon

359USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Layout Determines whether the Split View images are side by side (Horizon

360USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Auto Contrast Applies both the Auto Black Level and Auto White Level simu

361USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011More Help topics Using the Three Way Color Corrector in Premiere Pro “

362USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Distort effectsBend effect (Windows only) The Bend effect distorts a clip

363USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Fill Color Specifies the background color. Fill Alpha Channel Makes the

31USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Note: You can’t, however, paste footage items from the After Effects Pro

364USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Reflection Angle The angle of the line about which the reflection occurs.

365USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011longer to render. Vertical Displacement warps the image vertically only. H

366USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Wave Width The size of the wave in pixels.Direction The direction the wa

367USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Ripple Center Specifies the X and Y location of the ripple center. You ca

368USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Contrast/Sharpness Specifies the contrast of the cell pattern when you us

369USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Matching color produces subtle result (center); using red with high Width

370USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original image (left), and with different color samples applied (center an

371USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Note: The anti-aliasing of the grid borders may cause the visible thicknes

372USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Width, Width Variation The width of the main lightning bolt and how much

373USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Tolerance How far a pixel’s color values can be from the Fill Point color

32USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Copy from Adobe Premiere Pro to After EffectsYou can copy a video or aud

374USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Write-on effect: Animating strokesBrush Position The position of the brus

375USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011More Help topics “Match the color between two scenes” on page 313Color Pa

376USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011The following Blue Screen Key effect settings are adjusted in the Effect C

377USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011with no anti-aliasing. This option is useful when you want to preserve sha

378USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Eight-Point, Four-Point, and Sixteen-Point Garbage Matte effects(32-bit) T

379USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Non Red Key effectThe Non Red Key effect creates transparency from green o

380USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Remove Matte effectThe Remove Matte effect removes color fringes from clip

381USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original (left), and with effect applied (right)Noise effectThe Noise effe

382USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Noise Options (Animation) How noise is animated.• Cycle Noise Produces a

383USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Perspective effectsBasic 3D effect The Basic 3D effect manipulates a clip

33USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Working with Adobe Premiere Pro and Adobe FlashAdobe Premiere Pro is a

384USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Drop Shadow effectThe Drop Shadow effect adds a shadow that appears behind

385USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Render The type of shadow:• Regular Creates a shadow based on the Shadow

386USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Use End Color Lets you add an optional color at the outer edge of the glo

387USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Relief The apparent height of the embossing, in pixels. The Relief settin

388USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original image (left), with Edge Type set to Roughen (center), and with Ru

389USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Strobe Light effectThe Strobe Light effect performs an arithmetic operatio

390USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Effect applied with threshold settings of 44 (left), 70 (center), and 200

391USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011• Composite In Back Uses the echoes’ alpha channels to composite them bac

392USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Tuning controls for Pixel Motion interpolationVector Details Determines h

393USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Transform effectsCamera View effect (Windows only) The Camera View effect

ivUSING ADOBE PREMIERE PRO CS4ContentsLast updated 11/6/2011Chapter 7: Monitoring assetsSource Monitor and Program Monitor . . . . . . . . . . . . .

34USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011More Help topics “Export still-image sequences” on page 453Trace video

394USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Roll effect (Windows only) The Roll effect rolls a clip to the left or to

395USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011You can create gradient layers in many ways, such as using the Ramp effect

396USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Original image (left), and with effect applied (center and right)Utility e

397USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Video effectsTimecode effectThe Timecode effect overlays a timecode displa

398USING ADOBE PREMIERE PRO CS4Effects and transitionsLast updated 11/6/2011Dip To White transitionFor information on using Dip To White, watch the on

399Last updated 11/6/2011Chapter 12: AnimationAnimating effectsAbout animating effectsAlthough commonly used to mean “move a figure across the screen,

400USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011• Like a Timeline panel, the Effect Controls panel also displays keyframes graphically.

401USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Effect ControlsA. Value graph B. Velocity graph View keyframes and properties in a Tim

402USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Keyframe tool tipA. Timecode B. Property value 1 (Optional) If the track is collapsed,

403USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Choosing from the effects menu7 Place the pointer directly over a keyframe to view its p

35USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Note: Dynamic Link is a one-way delivery mechanism from one application

404USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Clicking the Toggle Animation button activates keyframing for an effect property at the

405USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Keyframe navigator A. Keyframe navigator in Effect Controls panel B. Current-time indic

406USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011More Help topics “View keyframes and graphs” on page 400Edit keyframe graphsIn the Effe

407USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Note: In a Value or Velocity graph, you cannot move a keyframe left or right to change i

408USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/20112 In the Automation Keyframe Optimization area, select one or both of the following opti

409USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Copy and paste keyframes in the Effect Controls panelWhen you paste keyframes into anoth

410USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Controlling effect changes using keyframe interpolationAbout interpolationInterpolation

411USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Changing keyframe interpolation for the Position property of the Motion effectA Linear s

412USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Create Bezier keyframes1 In a Timeline panel, select the clip containing the keyframes y

413USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Velocity graphA. Speed controls B. Incoming direction handles C. Outgoing direction ha

36USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Saving and Dynamic Link (Production Premium or Master Collection only)Yo

414USING ADOBE PREMIERE PRO CS4AnimationLast updated 11/6/2011Moving still images across the screenUsing the Motion effect controls in Premiere Pro, y

415Last updated 11/6/2011Chapter 13: CompositingCompositing is the process of creating a compound image by superimposing one or more clips on another.

416USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011• It’s often most efficient to import a source file already containing an alpha channe

417USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Specify clip opacity in the Effect Controls panelYou can adjust opacity for a clip in

418USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Transparency (masks, alpha channels)About transparencyBefore you can create a composit

419USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011With straight (or unmatted) channels, transparency information is stored only in the a

420USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Dragging a key from the Effects panel to a clip in a Timeline panel3 In the Video Effe

421USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Make a color transparent with Color KeyThe Color Key effect keys out all image pixels

422USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011A still image used as a matte (left) defines transparent areas in the superimposed cli

423USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011The following Difference Matte settings are adjusted in the Effect Controls panel:View

37USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Link to a new compositionWhen you link to a new composition from Adobe P

424USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Because you can use a video clip as a matte in the Track Matte Key, the matte can chan

425USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011More Help topics “About keyframes” on page 399“Edit keyframe graphs” on page 406Mask

426USING ADOBE PREMIERE PRO CS4CompositingLast updated 11/6/2011Create a solid color matteYou can create a full-frame matte of a solid color to use as

427Last updated 11/6/2011Chapter 14: ExportingFrom making proofs for feedback from your collaborators to generating movies for the web, the Apple iPod

428USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Export formats for various devices and web sitesFinally, using the Adobe Media Encoder,

429USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011CodecsAdobe Media Encoder handles most of the encoding tasks for Adobe Premiere Pro,

430USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011• Limit effects and rapid movement. Limit movement if you are concerned about file size.

431USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011About MPEGMPEG is the name of a family of digital audio and video standards specified by

432USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011CD-ROM playback The data rate for video played from a CD-ROM depends on the speed of th

433USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011You can reap benefits from shooting and editing in high-definition formats even if you o

38USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011You can delete linked clips, which are simply references to the linked c

434USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011VC-1 A codec that supports encoding in high-definition for Windows Media Video. For mor

435USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Export Settings viewing areaThe Export Settings dialog box includes a large viewing area

436USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Presets for export settingsWhen exporting with Adobe Media Encoder, choosing a format au

437USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/20112 Alt-click (Windows) or Option-click (Mac OS) the Save Preset button .3 Choose the lo

438USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011• MPEG-1 (MPA, MPG; both are Windows only): is for medium-bandwidth video, commonly used

439USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: The export options available largely depend on which version of Adobe Media Encode

440USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Audiences export settingsIn the Export Settings dialog box, selecting Windows Media (Win

441USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Audio export settings In the Export Settings dialog box, the options available in the Au

442USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Setting the value to 0 disables Audio Interleave and speeds rendering time. Consider dis

443USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Video export settingsIn the Export Settings dialog box, the options available on the Vid

39USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Offline compositions appear with an Offline icon in the Adobe Premiere

444USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Render At Maximum Depth Specifies whether Adobe Media Encoder renders sequences conta

445USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011M Frames Specifies the number of B frames (Bi-directional frames) between consecutive I

446USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011For more information on the options available, see the official website of the MPEG orga

447USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Exporting editable movie or audio filesAbout exporting movie and audio filesAn edited se

448USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011More Help topics “About the Export Settings dialog box” on page 434“Export Settings For

449USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011The sequence or clip is added to the CONTENTS folder of the disk or P2 card, with the vi

450USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: Adobe Premiere Pro applies only the effects listed, on export to OMF. Also, sinc

451USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/20115 From the Files menu, choose one of the following:Encapsulate With this setting, Premi

452USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Exporting HD and HDV sequencesYou can export MPEG-2 or H.264 Blu-ray files, high-definit

453USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: For best results, test completed Animated GIF files in a web browser before distri

40USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011Setting up your systemFor Premiere Pro system requirements, see the Adob

454USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: When you create a Clip Notes review movie, you can specify FTP settings in the Oth

455USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011• To move to another comment, choose it in the Go To menu, or click the Go To Previous C

456USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Choosing file formats for various discsWhen exporting a file from the Export Settings di

457USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Encode your files so that they do not exceed the storage capacity of the target CD: 650

458USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Exporting projects for other applications or archivingAbout exporting projects for other

459USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011• AAF files exported from Premiere Pro and imported into Avid Media Composer do not auto

460USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Grouped clips Upon import, all grouped clips are ungrouped and treated separately.Tran

461USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: Project Manager does not copy and collect After Effects compositions that are dyna

462USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Disk Space Displays a comparison between the size of the current project’s files and th

463USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011To give your recording deck additional time before your video sequence starts and after

41USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/20116 Do one of the following:• (For DV camcorders or VTRs only) In the Avai

464USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011• To have Premiere Pro roll the tape before the specified start time so that the deck ca

465USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Choose carefully the acquisition format that best suits your needs, both for production

466USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011For information about exporting files, see “Workflow for exporting files” on page 428.F

467USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Work with video in the native format of your project until your final outputIf you conve

468USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Stream for best performanceTo eliminate download time, provide deep interactivity and na

469USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011More Help topics www.adobe.com/go/lrvid4116_xpwww.adobe.com/go/lrvid4093_xpwww.adobe.com

470USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/20115 Select the Video tab.6 For Codec, select On2 VP6.7 Check Encode Alpha Channel.8 Adjust

471USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Preview a movie on a virtual mobile device using Premiere ProUsing Adobe Device Central,

472USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/2011Note: For tips on making movies smaller, see the online Help for After Effects and Adobe

473USING ADOBE PREMIERE PRO CS4ExportingLast updated 11/6/20114 In the dialog box, type information into any of the metadata fields as needed, and cli

42USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/20112 Connect the SD-SDI, HD-SDI, or component device to the computer or bre

474Last updated 11/6/2011Chapter 15: Keyboard shortcutsMany commands and buttons have keyboard shortcut equivalents, so you can complete tasks with mi

475USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/20116 Type the shortcut you want to use for the item. If the shortcut is already in

476USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/20112 Choose the set of shortcuts you want to use from the Set menu.Print keyboard

477USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Keys for the Capture panelTo see a complete list of keyboard shortcuts, select

478USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Keys for the Project panelTo see a complete list of keyboard shortcuts, select

479USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Result Windows shortcut Mac OS shortcutSet work area bar to sequence Double-cli

480USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Play forward at normal speed L LPlay forward one frame at a time Hold K while p

481USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Keys for the TitlerTo see a complete list of keyboard shortcuts, select Edit &g

482USING ADOBE PREMIERE PRO CS4Keyboard shortcutsLast updated 11/6/2011Keys for the Trim panelTo see a complete list of keyboard shortcuts, select Edi

483Last updated 11/6/2011IndexAactivation of software 1Adobe After Effectsconversion of layers in Adobe Premiere Pro 31optimizing After Effects cont

43USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011With this setup, you can import or transfer audio and video files from c

484USING ADOBE PREMIERE PRO CS4IndexLast updated 11/6/2011frame ratefor exporting 443framesin interlaced video 287GGet Properties For command 432HH

485USING ADOBE PREMIERE PRO CS4IndexLast updated 11/6/2011multiple monitors 11resetting 11resizing panel groups 9saving custom layouts 10XXMP (Exte

vUSING ADOBE PREMIERE PRO CS4ContentsLast updated 11/6/2011Chapter 11: Effects and transitionsWorking with effects . . . . . . . . . . . . . . . . .

44USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/20114 Connect the analog camcorder or VTR, or the breakout box, A/D converte

45USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/20115 Check Device 32-bit Recording if you want to record 32-bit audio.6 Dra

46USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011In terms of performance, it’s usually best to dedicate a different disk

47USING ADOBE PREMIERE PRO CS4Workflows and system setupLast updated 11/6/2011• Although you can divide a single disk into partitions and set up parti

48Last updated 11/6/2011Chapter 4: Project setupA project file stores information about sequences and assets, such as settings for capture, transition

49USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/20113 Browse to a location where you want to save the project file, name the project, and

50USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011Open a projectPremiere Pro for Windows can open project files created with earlier ve

51USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011Moving a project to another computerTo move a project to another computer where you w

52USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011When you import clips shot in one frame aspect ratio into a project that uses another

53USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011You could occasionally encounter a distorted clip if Premiere Pro interprets pixel as

viUSING ADOBE PREMIERE PRO CS4ContentsLast updated 11/6/2011Chapter 13: CompositingCompositing video . . . . . . . . . . . . . . . . . . . . . . . .

54USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011About square-pixel footageMany graphics and animation programs generate square-pixel

55USING ADOBE PREMIERE PRO CS4Project setupLast updated 11/6/2011When you drag an asset into a sequence, Premiere Pro centers the asset in the program

56Last updated 11/6/2011Chapter 5: Capturing, digitizing, transferring, and importingWith your hardware hooked up, you can bring assets into a project

57USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• For recording audio from analog sources, a sup

58USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011More Help topics “Optimizing scratch disk perfor

59USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20113 Select whether to use device control timecode.

60USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20112 Select one or more of the Capture options. If

61USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20115 Click OK.6 In the Device Control section of th

62USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Capture without device controlIf you do not have

63USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Including a unique number in the name can help y

1Last updated 11/6/2011Chapter 1: ResourcesInstallation, activation, and registrationBefore installing Adobe Premiere Pro software, review complete sy

64USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Use automatic scene detectionInstead of manually

65USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Common capture issuesIf you run into problems wh

66USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Important: You can import DVCPRO HD assets, XDCA

67USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Digitizing analog videoIn order to edit video sh

68USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20119 When the Welcome screen appears, do one of the

69USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Batch capturing and recapturingAbout batch captu

70USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011If you have a list of In and Out points, you can

71USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20113 Play the tape. Click Set In or Set Out at any

72USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Change capture settings for an offline clipYou c

73USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• Recording video, audio, or both must be suppor

2USING ADOBE PREMIERE PRO CS4ResourcesLast updated 11/6/2011Adobe Product Improvement ProgramAfter you have used your Adobe software a certain number

74USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• You want to recapture clips used in the projec

75USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Note: To link the audio of a new source file, th

76USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Recapture clipsYou can recapture clips in an exi

77USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011For more information about timecode, see the vid

78USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• Feet+Frames 35 mm• Audio Samples• Milliseconds

79USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Note: Scene Detect recognizes the starting and s

80USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011View clip timecode as a burn-in1 In the Effects

81USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011The folder structure for AVCHD assetsThe folder

82USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Importing is different from capturing. The Impor

83USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Premiere Pro can import files in the formats lis

3USING ADOBE PREMIERE PRO CS4ResourcesLast updated 11/6/2011For a video overview of Community Help, see www.adobe.com/go/lrvid4117_xp.For frequently a

84USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• MPEG, MPG (MPEG Movie)• MOV (QuickTime; in Win

85USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011More Help topics “Import files with the Media Br

86USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011• In the list of hard drives and folders in the

87USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Premiere Pro imports the clip into the Project p

88USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/20112 Check Default Scale To Frame Size.3 Click OK.I

89USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Avid capture formatAvid editing systems capture

90USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011More Help topics “Start an HDV or HD sequence” o

91USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Preparing still images before importingBefore yo

92USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011More Help topics “Working with Photoshop and Pre

93USING ADOBE PREMIERE PRO CS4Capturing, digitizing, transferring, and importingLast updated 11/6/2011Importing Illustrator imagesYou can import an Ad