Adobe AUDITION 1.5 Bedienungsanleitung Seite 202
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CHAPTER 7
194
Mixing Multitrack Sessions
The Bus Mixer
A. Bus controls B. Scroll bar
To create and configure a new bus:
1 In Multitrack View, choose Window > Mixer.
2 Click the Bus Mixer tab, and then click New in the right-most Bus channel.
3 In the Bus Properties dialog box, enter a name in the Friendly Name field, and select an
output device.
4 In Installed Real-Time Effects list, select effects for the bus, and click Add.
5 Click OK.
A
B
ug.book Page 194 Tuesday, March 16, 2004 1:29 PM
- Audition 1
- Contents 3
- Chapter 3 4
- Chapter 4 4
- Chapter 5 4
- Chapter 6 5
- Chapter 7 5
- Chapter 8 5
- Chapter 9 6
- Chapter 10 6
- Chapter 11 6
- Chapter 12 6
- Chapter 13 7
- Appendix A 7
- Appendix B 7
- Appendix C 7
- Working with Adobe Audition 11
- Learning about Adobe Audition 12
- What’s New in Adobe 13
- Audition 1.5 13
- Sound your best 14
- Work efficiently 15
- Chapter 1: Looking at the 17
- Wo r k Area 17
- Toolbars 18
- Display window 18
- Switching between views 19
- Choosing commands 20
- Using toolbars 21
- Using windows 22
- Showing and hiding windows 23
- Using placekeeper windows 24
- Zoom controls 25
- CHAPTER 1 26
- Scrolling 27
- Selection and view controls 28
- A B C D E F HG 29
- Undoing and redoing changes 30
- Organizing files and effects 32
- To display the Files tab: 33
- Organizing effects 34
- Organizing favorites 35
- Working with effects 36
- Using graph controls 37
- To use graph controls: 38
- Using plug-in effects 40
- Chapter 2: Setting up Adobe 43
- Setting up devices 44
- CHAPTER 2 46
- About using MIDI devices 47
- 4 Click OK 48
- 3 Set the following options: 49
- Setting up ReWire connections 50
- To disable ReWire support: 51
- General options 52
- System options 53
- Colors options 56
- Display options 58
- Data options 59
- Multitrack options 62
- Managing temporary files 65
- Chapter 3: Importing 69
- Recording, and Playing Audio 69
- CHAPTER 3 70
- To open a session file: 71
- Importing audio from CD 72
- Extract Audio From CD options 74
- Recording from CDs internally 75
- Monitoring time 77
- Using the transport controls 79
- Recording audio 80
- To record in a loop: 82
- Playing audio 83
- Using the Level Meters 88
- To adjust for DC offset: 89
- Chapter 4: Editing Audio 91
- Creating new audio files 92
- Viewing waveforms 93
- Changing the vertical scale 94
- Selecting audio data 95
- Selecting all of a waveform 96
- Finding beats 98
- Snapping 99
- Choosing a clipboard 100
- Copying audio data 100
- Cutting audio data 101
- Pasting audio data 101
- CHAPTER 4 102
- Deleting audio data 103
- Working with cues 104
- Choosing a cue type 105
- Playing cues 105
- Naming cues 106
- Adjusting cues 107
- Batch processing cues 108
- Setting cues automatically 109
- Creating play lists 110
- Creating and deleting silence 111
- Deleting silence 112
- ADOBE AUDITION 1.5 113
- Inverting and reversing audio 114
- Generating audio 114
- To generate DTMF signals: 115
- Generating noise 116
- Generating tones 117
- Converting the sample type 118
- Changing the sample rate 119
- Changing the bit depth 121
- Adding file properties 124
- Chapter 5: Enhancing and 125
- Restoring Audio 125
- CHAPTER 5 126
- Analyzing frequency range 127
- Analyzing phase 129
- To analyze phase: 130
- Viewing waveform statistics 131
- To view a waveform histogram: 132
- Removing noise 133
- 3 Set the desired options 134
- To restore clipped audio: 135
- To reduce hiss: 135
- Filtering audio 137
- Using the Notch Filter effect 139
- Optimizing amplitude 142
- To use the Envelope effect: 143
- Normalize 146
- Set the desired options 146
- Chapter 6: Applying Stereo 147
- Pitch, and Delay Effects 147
- Using the Pan/Expand effect 148
- To use the Pan/Expand effect: 149
- CHAPTER 6 150
- Using the Chorus effect 151
- Using the Flanger effect 152
- Changing pitch 153
- Using the Stretch effect 154
- Adding delays and echoes 155
- Using the Echo effect 156
- Using the Echo Chamber effect 157
- Adding reverb 158
- Using the QuickVerb effect 159
- Using the Reverb effect 160
- Creating special effects 161
- Using the Convolution effect 162
- Using the Distortion effect 163
- Using multitrack-only effects 164
- 2 Ctrl-click the wave clip 166
- 4 Set the desired options 166
- To use the Vocoder effect: 167
- Chapter 7: Mixing Multitrack 169
- Sessions 169
- Working with sessions 170
- Setting the default session 171
- CHAPTER 7 172
- A. Mix Gauge B. Load Meter 173
- Working with clips 176
- Grouping clips 177
- Aligning clips 178
- Editing audio and MIDI clips 178
- User Guide 179
- 2 Do either of the following: 180
- Copying audio and MIDI clips 181
- Setting audio clip properties 182
- Crossfading audio clips 184
- Time stretching audio clips 185
- Inserting empty audio clips 186
- Working with audio tracks 187
- 2 Set the desired options 188
- Soloing and muting tracks 189
- Equalizing tracks 190
- Working with ReWire tracks 192
- Working with MIDI tracks 193
- Using real-time effects 193
- Mixing real-time effects 194
- 2 Do any of the following: 195
- Using the Mixers window 198
- Using the Track Mixer 199
- To use the Track Mixer: 200
- Using the Bus Mixer 201
- 5 Click OK 202
- To mix and reconfigure buses: 203
- Chapter 8: Using Loops 205
- Defining loops 206
- 2 Click the Loop Info tab 208
- 1 Select an audio clip 210
- CHAPTER 8 212
- Using Loops 214
- Chapter 9: Working with Video 215
- CHAPTER 9 216
- Working with video clips 217
- Previewing video 218
- To preview a video mixdown: 220
- About surround sound 221
- CHAPTER 10 222
- Assigning the panning source 224
- Using the Surround Panner 225
- Automating the pan envelope 226
- Pan Envelope Automation 227
- Adjusting volume levels 228
- Exporting surround-sound files 231
- Export options 233
- Saving audio files 235
- Saving and exporting sessions 236
- Exporting mixes to audio 237
- Exporting mixes to video 238
- Closing files 239
- Choosing an audio file format 239
- 64-bit doubles (RAW) (.dbl) 240
- 8-bit signed (.sam) 240
- A/mu-Law Wave (.wav) 240
- ACM Waveform (.wav) 241
- Amiga IFF-8SVX (.iff, .svx) 241
- Apple AIFF (.aif, .snd) 241
- ASCII Text Data (.txt) 242
- Audition Loop (.cel) 242
- Creative Sound Blaster (.voc) 243
- Dialogic ADPCM (.vox) 243
- DiamondWare Digitized (.dwd) 243
- DVI/IMA ADPCM (.wav) 244
- Microsoft ADPCM (.wav) 244
- NeXT/Sun (.au, .snd) 246
- SampleVision (.smp) 246
- Windows Media Audio (.wma) 247
- Windows PCM (.wav) 247
- CHAPTER 11 248
- PCM Raw Data (.pcm) (.raw) 249
- Processing 251
- Normalizing groups of files 252
- 5 Click Run Normalize 253
- CHAPTER 12 254
- Batch processing files 255
- Working with scripts 257
- Creating scripts 258
- Running scripts 259
- Editing scripts 260
- To apply favorites: 261
- To create or edit favorites: 261
- Chapter 13: Burning Audio CDs 265
- Inserting tracks 266
- Selecting tracks 267
- Rearranging tracks 267
- Removing tracks 267
- Setting track properties 268
- Writing a CD 269
- CHAPTER 13 270
- About keyboard shortcuts 271
- Keys for playing audio 271
- Keys for copying waveforms 272
- Keys for editing clips 273
- Keys for repeating commands 273
- Keys for using markers 273
- Keys for viewing windows 274
- Appendix B: Digital Audio 275
- A 276
- Analog audio 278
- Digital audio 278
- Sampling rate 278
- Bit depth 279
- Digital Audio Primer 280
- Introducing MIDI 281
- Conclusion 281
- Appendix C: Glossary 283
- Glossary 284
- Snap To Clips command 205 306
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